Lisa Milne
Lisa Milne (born 22 April 1971 in Aberdeen) is a Scottish soprano described by the BBC as "one of RSAMD's best-known alumni", who was among the first artists to be invited to the BBC Radio 3 New Generation Artists scheme in 1999–2001.
Known for her work as a member of the King's Consort and her recordings with Roger Vignoles, Iain Burnside, Malcolm Martineau, and others. She has performed at the Edinburgh Festival and the BBC Proms.
The Scottish soprano Lisa Milne studied at the Royal Scottish Academy of Music and Drama. She was
awarded an MBE in the Queen's Birthday Honours in 2005. She was also awarded honorary doctorates
by the University of Aberdeen and Robert Gordon's University. A renowned recitalist, she has appeared
at Edinburgh and City of London festivals, London's Wigmore Hall. She is regularly partnered by Malcolm Martineau with whom she has performed and recorded a variety of repertoire.
In opera, her appearances have included Pamina (Die Zauberflöte) and Susanna (Le nozze di Figaro) at
the Metropolitan Opera, New York, and Pamina, Marzelline (Fidelio), Micäela (Carmen) and the title roles
in Rodelinda and Theodora at the Glyndebourne Festival. Her many roles at the English National Opera
have included Contessa (Le nozze di Figaro), the title role in Alcina, and Anne Trulove (The Rake's
Progress). At the Welsh National Opera, she created the role of Sian in the world premiere of James
MacMillan's opera The Sacrifice.
Highlights have included appearances with the Boston
Symphony Orchestra and Levine, the Berlin Philharmonic with Rattle, the Rotterdam Philharmonic
Orchestra with Gergiev, the Dresden Staatskapelle with Ticciati, the Seoul Philharmonic Orchestra with
Chung, the London Philharmonic Orchestra with Jurowski, the Budapest Festival Orchestra with Fischer
and the New York and Vienna Philharmonic Orchestras with Harding.
Lisa also sang in concert with Jose Carreras at the reopening of The Usher Hall, Edinburgh with the BBC
SSO and again with Carerras at The Royal Albert Hall.
She has recorded the songs of Marjory Kennedy Fraser, as well as Vivaldi and Handel with The King's Consort for Hyperion, Idomeneo and La
Clemenza di Tito under Mackerras, French Song with Iain Burnside, and Poulenc and Debussy with
Martineau.
She also played The Governess in the award-winning BBC film 'Turn of the Screw' by Britten directed
by Katie Mitchell (2005 Opus Arte) which won Winner Best Fiction Film – Vienna TV and Micaela on the
Glyndebourne DVD of 'Carmen' directed by Sir David MacVicar.
Lisa currently teaches at the Aberdeen City Music School
-
Fêtes galantes I, CD 86: No. 1, En sourdine - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Fêtes galantes I, CD 86: No. 2, Fantoches - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Fêtes galantes I, CD 86: No. 3, Clair de lune - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Proses lyriques, CD 90: No. 1, De rêve - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Proses lyriques, CD 90: No. 2, De grève - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Proses lyriques, CD 90: No. 3, De fleurs - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Proses lyriques, CD 90: No. 4, De soir - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Chansons de Bilitis, CD 97: No. 1, La flûte de Pan - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Chansons de Bilitis, CD 97: No. 2, La chevelure - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Chansons de Bilitis, CD 97: No. 3, Le tombeau des Naïades - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Ariettes oubliées, CD 63a: No. 1, C'est l'extase langoureuse - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Ariettes oubliées, CD 63a: No. 2, Il pleure dans mon cœur - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Ariettes oubliées, CD 63a: No. 3, L'ombre des arbres - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Ariettes oubliées, CD 63a: No. 4, Paysages belges. Chevaux de bois - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Ariettes oubliées, CD 63a: No. 5, Aquarelle I. Green - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
Ariettes oubliées, CD 63a: No. 6, Aquarelles II. Spleen - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
3 Chansons de France, CD 115: No. 1, Rondel I. Le temps a laissé son manteau - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
3 Chansons de France, CD 115: No. 2, La grotte - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
3 Chansons de France, CD 115: No. 3, Rondel II. Pour ce que plaisance est morte - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
3 Poèmes de Mallarmé, CD 135: No. 1, Soupir - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
3 Poèmes de Mallarmé, CD 135: No. 2, Placet futile - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
3 Poèmes de Mallarmé, CD 135: No. 3, Éventail - Debussy: Complete Songs, Vol. 2 -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: Introduzione 1 - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: I. Vater, vergib ihnen - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: II. Fuerwahr, ich sag' es dir - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: III. Frau, hier siehen deinen Sohn - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: IV. Mein Gott! Warum hast du mich verlassen? - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: Introduzione 2 - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: V. Jesus ruft, Ach, mich duerstet! - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: VI. Es ist vollbracht - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: VII. Vater, in deine Haende - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: VIII. Il terremoto - Haydn: The Seven Last Words of our Saviour on the Cross -
Lisa Milne
-
Christen, ätzet diesen Tag, BWV 63: Chorus "Christen, ätzet diesen Tag" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Cantata: Christen, ätzet diesen Tag, BWV 63: Cantata: Christen, ätzet diesen Tag, BWV 63: Recitativo "O sel'ger Tag!" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Cantata: Christen, ätzet diesen Tag, BWV 63: Cantata: Christen, ätzet diesen Tag, BWV 63: Aria "Gott, du hast es wohl gefüget" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Cantata: Christen, ätzet diesen Tag, BWV 63: Cantata: Christen, ätzet diesen Tag, BWV 63: Recitativo "So kehret sich nun heut" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Cantata: Christen, ätzet diesen Tag, BWV 63: Cantata: Christen, ätzet diesen Tag, BWV 63: Aria "Ruft und fleht den Himmel an" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Cantata: Christen, ätzet diesen Tag, BWV 63: Cantata: Christen, ätzet diesen Tag, BWV 63: Recitativo "Verdoppelt euch demnach" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Cantata: Christen, ätzet diesen Tag, BWV 63: Cantata: Christen, ätzet diesen Tag, BWV 63: Chorale "Höchster, schau in Gnaden an" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Vom Himmel hoch: Chorus "Vom Himmel hoch, da komm ich her" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Vom Himmel hoch: Aria "Es ist der Herr Christ, unser Gott" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Vom Himmel hoch: Choral "Er bringt euch alle Seligkeit" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Vom Himmel hoch: Aria "Sei willekomm, du edler Gast" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Vom Himmel hoch: Arioso "Das also hat gefallen dir" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
Vom Himmel hoch: Choral "Lob, Ehr sei Gott im höchsten Thron" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: Prelude. God rest you merry gentlemen - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: Angelus ad Virginem - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: Nowell, Nowell, Nowell, Nowell! (Chorus) - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: The Cherry Tree Carol "Joseph was an old man" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: The Cherry Tree Carol "As Joseph was awalking" - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: O, Joseph being an old man truly - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: In Bethlehem City - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: The Sussex Carol - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: The Salutation Carol - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: How brightly shone the morning star - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell: Interlude - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The First Nowell - Vaughan Williams: The First Nowell - Mendelssohn: Vom Himmel hoch -
Lisa Milne
-
The Sacrifice, Act I: Prelude - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act II Scene 1: Again, Megan (Sian, Megan) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 1: I Should Not Be Here. Not Tonight (Sian, Evan) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act II Scene 1: A Question for You - Whose is This? (Mal, Sian) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 1: The Guests Are Laying Out Their Clothes (Sian, Evan) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act II Scene 1: Interlude - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 1: Interlude. Andante - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act II Scene 2: So He's Found the Coat… (Evan, Sian) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 2: How is the Dress, Megan? (General, Megan, Sian) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act II Scene 2: Interlude - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 2: Excuse Me, Sir (Evan, General, Megan) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act II Scene 3: Hail the King, Long Live the Boy King! (Megan, The Birds, Guests) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 2: Interlude. Andante - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act II Scene 3: Thank You, Megan, a Fitting Gift for a Nephew (Mal) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 3: Queen of the Blossom (Megan, Mal, Sian) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act II Scene 3: Come, the Man Who Wounded Me! (Mal, Evan, General, Guests) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 3: Interlude. Passacaglia - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act III Scene 1: Give This Our Son Your Peace Eternal, O Lord (General, Mal, Mal's Men, Chorus) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 4: God Bless Us All! (Chorus) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act III Scene 1: I Thought My Hands Were Heaven-blessed (Sian, General) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 4: The Moon Became a Man Today (The Birds) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act III Scene 1: Interlude - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 4: As Father I Could Burst With Pride (General, Chorus) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act III Scene 2: Thanks, Megan, You Make a Good Thief (General, Megan) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 4: I Toast My Wife. My Wife! Ye Gods! (Mal, Sian, Chorus) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act III Scene 2: Interlude - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 4: Get Him! (Mal, Sian, General, Chorus) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act III Scene 3: Mal! Mal! Mal! (General, Mal, Sian) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act I Scene 4: Why Bring a Knife to a Wedding? (Evan, The Birds) - MacMillan: The Sacrifice -
Lisa Milne
-
The Sacrifice, Act III Scene 3: I Cannot Say I Haven't Dreamt a Thousand Times of Killing Him (Mal, Sian, Megan, Guests) - MacMillan: The Sacrifice -
Lisa Milne
-
Requiem, Op. 89, B. 165: Requiem aeternam [Introit and Kyrie] - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Domine Jesu Christe [Offertory] - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Requiem [Gradual] - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Domine Jesu Christe [Hostias] - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Dies irae - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Sanctus and Benedictus - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Tuba mirum - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Pie Jesu - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Quid sum miser - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Agnus Dei - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Recordare, Jesu pie - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Confutatis maledictis - Dvorak: Requiem -
Lisa Milne
-
Requiem, Op. 89, B. 165: Lacrimosa - Dvorak: Requiem -
Lisa Milne
Similar Artists