Hamilton Harty
Sir Herbert Hamilton Harty (4 December 1879 – 19 February 1941) was an Irish composer, conductor, pianist and organist.
After an early career as a church organist in his native Ireland, Harty moved to London at about age 20, soon becoming a well-known piano accompanist. The Musical Times called him "the prince of accompanists". As a composer he wrote throughout his career, many of his works being well received, though few are regularly performed in the 21st century.
In his career as a conductor, which began in 1904, Harty was particularly noted as an interpreter of the music of Berlioz. From 1920 to 1933 he was the chief conductor of the Hallé Orchestra in Manchester, which he returned to the high standards and critical acclaim that it had enjoyed under its founder, Charles Hallé. His last permanent post was with the London Symphony Orchestra, but it lasted only two years, from 1932 to 1934. During his conducting career, Harty made some recordings with his orchestras. Shortly after his dismissal by the LSO, Harty began to suffer the symptoms of a brain tumour. After surgery, he resumed his career until 1940, but the tumour returned to cause his death at the age of 61.
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: I. Marche "Trompette et tambour" - Opening the Doors -
Hamilton Harty
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée" - Opening the Doors -
Hamilton Harty
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: III. Impromptu "La toupie" - Opening the Doors -
Hamilton Harty
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" - Opening the Doors -
Hamilton Harty
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: V. Galop "Le bal" - Opening the Doors -
Hamilton Harty
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Britten: Soirées musicales, Op. 9: I. March - Opening the Doors -
Hamilton Harty
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Britten: Soirées musicales, Op. 9: II. Canzonetta - Opening the Doors -
Hamilton Harty
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Britten: Soirées musicales, Op. 9: III. Tirolese - Opening the Doors -
Hamilton Harty
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Britten: Soirées musicales, Op. 9: IV. Bolero - Opening the Doors -
Hamilton Harty
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Britten: Soirées musicales, Op. 9: V. Tarantella - Opening the Doors -
Hamilton Harty
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Sibelius: King Christian II Suite, Op. 27: I. Nocturne - Opening the Doors -
Hamilton Harty
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Sibelius: King Christian II Suite, Op. 27: II. Elegie - Opening the Doors -
Hamilton Harty
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Sibelius: King Christian II Suite, Op. 27: III. Musette - Opening the Doors -
Hamilton Harty
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Sibelius: King Christian II Suite, Op. 27: IV. Serenade - Opening the Doors -
Hamilton Harty
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Sibelius: King Christian II Suite, Op. 27: V. Ballade - Opening the Doors -
Hamilton Harty
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Sibelius: Karelia Overture, Op. 10 - Opening the Doors -
Hamilton Harty
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Ravel: Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant - Opening the Doors -
Hamilton Harty
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Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet - Opening the Doors -
Hamilton Harty
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Ravel: Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes - Opening the Doors -
Hamilton Harty
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Ravel: Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête - Opening the Doors -
Hamilton Harty
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Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique - Opening the Doors -
Hamilton Harty
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Mozart: Don Giovanni, K. 527, Act 1: Sinfonia - Opening the Doors -
Hamilton Harty
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Mozart: Don Giovanni, K. 527, Act 1: Introduzione. "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) - Opening the Doors -
Hamilton Harty
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Madamina, il catalogo è questo" (Leporello) - Opening the Doors -
Hamilton Harty
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Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) - Opening the Doors -
Hamilton Harty
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Or sai chi l'onore" (Donna Anna) - Opening the Doors -
Hamilton Harty
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Fin ch'han dal vino" (Don Giovanni) - Opening the Doors -
Hamilton Harty
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Mozart: Don Giovanni, K. 527, Act 2: Canzonetta. "Deh, vieni alla finestra" (Don Giovanni) - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: I. Introduction et marche royale du lion - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: II. Poules et coqs - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: III. Hémiones - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: IV. Tortues - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: V. L'éléphant - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: VI. Kangourous - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: VII. Aquarium - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: VIII. Personnages à longues oreilles - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: IX. Le coucou au fond des bois - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: X. Volière - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: XI. Pianistes - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: XII. Fossiles - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: XIII. Le cygne - Opening the Doors -
Hamilton Harty
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Saint-Saëns: Le carnaval des animaux: XIV. Finale - Opening the Doors -
Hamilton Harty
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Lehár: The Merry Widow, Act 1: "I'm off to Chez Maxime" (Danilo) - Opening the Doors -
Hamilton Harty
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Lehár: The Merry Widow, Act 1: Finale. "Ladies' Choice" - "Young Lovers All, Awake!" (Hanna, Danilo, Saint-Brioche, Cascada, Valencienne, Camille, Chorus) - Opening the Doors -
Hamilton Harty
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Lehár: The Merry Widow, Act 2: Polonaise - Vilja Song. "There Once Live a Vilja, a Fair Mountain Sprite" (Hanna, Chorus) - Opening the Doors -
Hamilton Harty
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Lehár: The Merry Widow, Act 2: Duet. "Jogging in a One-Horse Gig" (Hanna, Danilo) - Opening the Doors -
Hamilton Harty
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Lehár: The Merry Widow, Act 3: Cake-Walk - Opening the Doors -
Hamilton Harty
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Lehár: The Merry Widow, Act 3: Ensemble. "The Grisettes of Paris Greet You" (Valencienne, Chorus, Danilo, Zeta, Bogdanowitsch, Kromow, Pritschitsch) - Opening the Doors -
Hamilton Harty
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Lehár: The Merry Widow, Act 3: Duet. "Love Unspoken" (Hanna, Danilo) - Opening the Doors -
Hamilton Harty
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Smyth: The Wreckers: Overture - Opening the Doors -
Hamilton Harty
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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): I. Allegro - 2024 Remaster - Handel: Memoirs 2 -
Hamilton Harty
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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): II. Air - 2024 Remaster - Handel: Memoirs 2 -
Hamilton Harty
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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): III. Bourée - 2024 Remaster - Handel: Memoirs 2 -
Hamilton Harty
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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): IV. Hornpipe - 2024 Remaster - Handel: Memoirs 2 -
Hamilton Harty
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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): VI Allegro deciso - 2024 Remaster - Handel: Memoirs 2 -
Hamilton Harty
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Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): V. Andante - 2024 Remaster - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: I. At the time that Almeria - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: II. The Price would often lament - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: III. He assured him - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: IV. The Prince the intimated - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: V. Four or five years had elapsed - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: VI. The number of schools and academies - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: VII, And a foreigner - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: VIII. Thou they seem - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: IX. The younger Scarlatti - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: X. Indeed, from the best information - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XI. They do not consider the advantages - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XII. Vossius having declared - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XIII. And might we not ask - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XIV. The advantages which he drew - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XV. It is the more to be lamented - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XVI. For though all men will agree - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XVII. The excellence of Mr. Addison - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XVIII. We left Handel just on the point of his removal from Italy - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XIX. With less experience - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XX. At the age of eighteen - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXI. But, from the natural restlessness - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXII. The nature of his design in travelling - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXIII. At last, however, he consented - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXIV. The theatre, at almost every pause - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXV. This opera drew over all the best singers - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXVI. Having mentioned - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXVIII. Besides a fine collection of pictures and statues - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXIX. There was also something in his manner - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXX. Severall fruitless attemps - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXXI. The ouverture for Il trionfo del tempo e del disinganno - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXXII. Corelli gently lays down his instrument - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXXIII. Hitherto Handel was chiefly been considered - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXXIV. The first of these he became aquainted with - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXXV. As he was an exquisite player on the harpsichord - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXXVI. Handel used often to speak of this person - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXXVII. Though no two persons ever arrived - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXXVIII. While he was at Rome - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XXXIX. Ils seavent encore - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XL. Wheter his Eminence - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XLI. As he was familiar - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XLII. No hopes appearing of a real conversion - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XLIII. From Rome - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XLIV. How Handel executed his task - Handel: Memoirs 2 -
Hamilton Harty
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Memoirs: XLV. After he quitted Naples - Handel: Memoirs 2 -
Hamilton Harty
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Symphony No. 1: I. Allegro assai - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Symphony No. 1: II. Presto, con malizia - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Symphony No. 1: III. Andante - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Symphony No. 1: IV. Maestoso - Brioso ed ardentemente - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Symphony No. 95 in C Minor, Hob. I:95: I. Allegro moderato - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Symphony No. 95 in C Minor, Hob. I:95: II. Andante - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Symphony No. 95 in C Minor, Hob. I:95: III. Menuetto - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Symphony No. 95 in C Minor, Hob. I:95: IV. Finale. Vivace - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Overture "King Lear", H 53 - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Les Troyens, H 133, Act I: Marche Troyenne - Conductor's Gallery, Vol. 2: Sir Hamilton Harty -
Hamilton Harty
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Suite (Arr. Sir Hamilton Harty): I. Introduction - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Suite (Arr. Sir Hamilton Harty): II. Rigaudon - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Suite (Arr. Sir Hamilton Harty): III. Polonaise - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Suite (Arr. Sir Hamilton Harty): IV. Arietta - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Suite (Arr. Sir Hamilton Harty): V. Passacaglia - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Suite in Five Movements (Arr. Wood): I. Prelude from Act III "Dioclesian" - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Suite in Five Movements (Arr. Wood): II. Minuet from "Distressed Innocence" - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Suite in Five Movements (Arr. Wood): III. Largo from "Fifth Sonata for Strings in Three Parts" - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Suite in Five Movements (Arr. Wood): IV. Song of the Birds (Allegro from "Timon of Athens") - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Suite in Five Movements (Arr. Wood): V. Vivace from "Sonata No. 1 for Strings" - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Fantasia on Greensleeves - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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The Wasps: Overture - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Symphony No. 2 "A London Symphony": I. Lento - Allegro risoluto - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Symphony No. 2 "A London Symphony": II. Lento - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Symphony No. 2 "A London Symphony": III. Scherzo. Nocturne, allegro vivace - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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Symphony No. 2 "A London Symphony": IV. Andante con moto - Epilogue - Conductor's Gallery, Vol. 3: Sir Hamilton Harty, Sir Henry Wood -
Hamilton Harty
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J. C. Bach : Sinfonia in B flat Major - I - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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J. C. Bach : Sinfonia in B flat Major - II - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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J. C. Bach : Sinfonia in B flat Major - III - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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J. S. Bach : Air From Suite for Orchestra (Arr. Mahler) - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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1. The pines of the villa Borghese - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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2. The Pines near the Catacombs - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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3. The Pines of Gianicolo - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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4. The Pines of The Appian Way - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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Rimsky-Korsakov : Capriccio Espagnole - 1 - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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Rimsky-Korsakov : Capriccio Espagnole - 2 - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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Rimsky-Korsakov : Capriccio Espagnole - 3 - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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Rimsky-Korsakov : Capriccio Espagnole - 4 - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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Scriabin : Prometheus Op. 60, The Poem of Fire - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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Debussy : Golliwog’s Cake Walk - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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Rimsky-Korsakov : Dance of the Tumblers (Arr. O’Donnell) - NKB SP Selection No. 18, Great Performer 2 -
Hamilton Harty
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