Mattiwilda Dobbs
Mattiwilda Dobbs (July 11, 1925 – December 8, 2015) was an American coloratura soprano and was one of the first black singers to enjoy a major international career in opera. She was the first black singer to perform at La Scala in Italy, the first black woman to receive a long-term performance contract and to sing a lead role at the Metropolitan Opera, New York and the first black singer to play a lead role at the San Francisco Opera.
A Song Recital
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Schubert: Entzückung an Laura, D. 390 - A Song Recital -
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Schubert: La pastorella al prato, D. 528 - A Song Recital -
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Schubert: Nacht und Träume, Op. 43 No. 2, D. 827 - A Song Recital -
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Schubert: Heidenröslein, Op. 3 No. 3, D. 257 - A Song Recital -
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Schubert: Liebhaber in allen Gestalten, D. 558 - A Song Recital -
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Brahms: 6 Lieder, Op. 97: No. 2, Auf dem Schiffe - A Song Recital -
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Brahms: 5 Lieder, Op. 49: No. 4, Wiegenlied - A Song Recital -
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Brahms: 6 Gesänge, Op. 6: No. 6, Nachtigallen schwingen - A Song Recital -
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Brahms: 5 Lieder, Op. 47: No. 1, Botschaft - A Song Recital -
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Wolf: Goethe-Lieder: No. 26, Die Spröde - A Song Recital -
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Wolf: Goethe-Lieder: No. 27, Die Bekehrte - A Song Recital -
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Wolf: Mörike-Lieder: No. 18, Zitronenfalter im April - A Song Recital -
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Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune - A Song Recital -
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Fauré: 3 Mélodies, Op. 23: No. 2, Notre amour - A Song Recital -
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Hahn: Si mes vers avaient des ailes - A Song Recital -
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Chausson: 7 Mélodies, Op. 2: No. 7, Le colibri - A Song Recital -
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Chausson: 4 Mélodies, Op. 13: No. 4, La cigale - A Song Recital -
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Rimsky-Korsakov: The Golden Cokcerel, Act 2: Hymn to the Sun. "All Hail to Thee, O Sunlight" (Tsaritsa) - Arias from The Golden Cockerel, Manon, La sonnambula & Lakmé - Arias and Duets from Rigoletto -
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Massenet: Manon, Act 3: "Obéissons, quand leur voix appelle" (Manon) - Arias from The Golden Cockerel, Manon, La sonnambula & Lakmé - Arias and Duets from Rigoletto -
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Bellini: La sonnambula, Act 2: "Ah! Non credea mirarti" (Amina) - Arias from The Golden Cockerel, Manon, La sonnambula & Lakmé - Arias and Duets from Rigoletto -
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Delibes: Lakmé, Act 3: Berceuse. "Sous le ciel tout étoilé" (Lakmé) - Arias from The Golden Cockerel, Manon, La sonnambula & Lakmé - Arias and Duets from Rigoletto -
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Delibes: Lakmé, Act 1: Récit. "Les fleurs me paraissent plus belles" - Strophes. "Pourquoi dans les grands bois" (Lakmé) - Arias from The Golden Cockerel, Manon, La sonnambula & Lakmé - Arias and Duets from Rigoletto -
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Verdi: Rigoletto, Act 1: "Pari siamo!" (Rigoletto) - Arias from The Golden Cockerel, Manon, La sonnambula & Lakmé - Arias and Duets from Rigoletto -
Mattiwilda Dobbs
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Verdi: Rigoletto, Act 1: "Figlia! Mio padre!" (Rigoletto, Gilda) - Arias from The Golden Cockerel, Manon, La sonnambula & Lakmé - Arias and Duets from Rigoletto -
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Verdi: Rigoletto, Act 2: "Gualtier Maldè" - Aria. "Caro nome" (Gilda) - Arias from The Golden Cockerel, Manon, La sonnambula & Lakmé - Arias and Duets from Rigoletto -
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Verdi: Rigoletto, Act 3: "Chi è mai, chi è qui in sua vece!" (Rigoletto, Gilda) - Arias from The Golden Cockerel, Manon, La sonnambula & Lakmé - Arias and Duets from Rigoletto -
Mattiwilda Dobbs
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The Golden Cockerel: Announcer - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel: Prologue, The Astrologer's Preface - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act I: Dodon's Monologue - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act I: Prince Guidon's Plan - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act I: Prince Afron's Plan - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act I: Entrance of the Astrologer and the Golden Cockerel - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act I: Scene with the Parrot - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act I: Sleep of Dodon - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act I: Dream of Dodon - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act I: The Summons to War - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act II: Soldiers' Chorus - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act II: Queen Shemakha's Entrance and Hymn to the Sun - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act II: Shemakha's Seduction of Dodon - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act II: Dance of Queen Shemakha - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act II: Chorus of Slaves - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act III: Introduction and Chorus of the People of Dodon - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
Mattiwilda Dobbs
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The Golden Cockerel, Act III: The Wedding Procession and Reappearance of the Astrologer - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act III: The Death of Dodon - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act III: The Astrologer's Epilogue - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Golden Cockerel, Act III: Applause - Live - Rimsky-Korsakov, The Golden Cockerel, Igor Markevitch (Live) -
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The Abduction from the Seraglio, K. 384, Act I: Overture - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Señorita, try - try - not to lose hope (Blonda, Constanza, Pasha Selim) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: Here surely I must find her (Belmonte) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Tortures unrelenting may for me be waiting (Constanza) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: Constanza, my beloved (Belmonte) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: She shows no signs of weakening (Pasha Selim) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act I: You may think you've found a maiden (Osmin, Belmonte) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Blonda? Come here, quickly (Pedrillo, Blonda) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: The devil take you and your song, sir (Belmonte, Osmin) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Oh, the happy, happy day (Blonda) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: There, I got rid of him (Osmin, Pedrillo) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Any sign of Osmin? (Pedrillo, Blonda) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: These young men who go a-spying (Osmin, Pedrillo) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Now Pedrillo, now for battle! (Pedrillo) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: Ouf! Thank God he's gone (Pedrillo, Belmonte) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: What do you want? (Osmin, Pedrillo) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act I: Constanza! Constanza! (Belmonte) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Here's to Bacchus, long live Bacchus (Pedrillo, Osmin) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: Oh what trembling, oh what passion (Belmonte) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act II: What do you say, brother Osmin? (Pedrillo, Osmin, Belmonte) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: They're coming, sir, they're coming (Pedrillo) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act II: Belmonte! Is it possible (Constanza, Belmonte) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: Sing to the mighty Pasha Selim (Chorus) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: When our hearts are overflowing (Belmonte) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act I: Always so sad, my beloved (Pasha Selim, Constanza) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Ah, Belmonte, ah my dear one! (Constanza, Belmonte, Pedrillo, Blonda) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: How I loved him, I was happy (Constanza) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: And yet within my heart (Belmonte, Constanza, Pedrillo, Blonda) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: Pasha Selim, I'll be your slave (Constanza, Pasha Selim, Pedrillo, Belmonte) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: I will. Ah, blame me not… (Belmonte, Pedrillo, Conztanza, Blonda) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act I: March, march, march, off you go (Osmin, Belmonte, Pedrillo) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: If men mistrust our honour (Constanza, Blonda, Belmonte, Pedrillo) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Tra-la-le-ra, Tra-la-le-ra (Osmin, Belmonte) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act III: Love, only love, can now direct me (Belmonte) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act II: With smiles and kind caresses (Blonda) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act III: Ah, Pedrillo! Is everything well? (Belmonte, Pedrillo) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: Gentleness! Kindness! (Osmin, Blonda) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act III: In Moorish lands a maiden fair (Pedrillo, Belmonte) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act II: I'm going, but mark what I say (Osmin, Blonda) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act III: Look,she's opening the window (Pedrillo, Belmonte, Blonda, Osmin, Constanza) - Mozart: The Abduction from the Seraglio -
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The Abduction from the Seraglio, K. 384, Act II: O Englishmen you must be crazy (Osmin, Blonda) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act III: My triumphant hour's approaching (Osmin) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act II: Be off now! (Blonda, Osmin) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act III: What does all this mean? (Pasha Selim, Osmin, Constanza, Belmonte) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act II: Ah, there's Constanza (Blonda) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act III: What dreadful fate conspires against us (Belmonte, Constanza) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act II: Oh what sorrow overwhelms my spirit (Constanza) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act III: You must suffer for my rashness (Belmonte, Constanza) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act II: Endless grief tortures my spirit (Constanza) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act III: Then my life I gladly offer (Belmonte, Constanza) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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The Abduction from the Seraglio, K. 384, Act III: The nobelman despises vengeance (Constanza, Blonda, Belmonte, Pedrillo) - Mozart: The Abduction from the Seraglio -
Mattiwilda Dobbs
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