Ethel Smyth
Dame Ethel Mary Smyth (; 22 April 1858 – 8 May 1944) was an English composer and a member of the women's suffrage movement. Her compositions include songs, works for piano, chamber music, orchestral works, choral works and operas.
Smyth tended to be marginalised as a "woman composer", as though her work could not be accepted as mainstream. Yet when she produced more delicate compositions, they were criticised for not measuring up to the standard of her male peers. She was the first female composer granted a damehood.
Smyth was involved in the suffrage movement and spent time in Holloway Prison for breaking windows. She also composed the suffragette anthem The March of the Women.
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Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort - Her Sonic Realm - The Creative Legacy of Women in Music -
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Tailleferre: Valse lente - Her Sonic Realm - The Creative Legacy of Women in Music -
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Chaminade: Sombrero - Her Sonic Realm - The Creative Legacy of Women in Music -
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Boulanger, N: Lux aeterna (Orch. Ducros) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Casulana: Morir non può il mio cuore - Her Sonic Realm - The Creative Legacy of Women in Music -
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Smyth: Songs of Sunrise: No. 3, The March of the Women. "Shout, Shout, Up with Your Song!" - Her Sonic Realm - The Creative Legacy of Women in Music -
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Bonds: Songs of the Seasons: No. 2, Winter Moon - Her Sonic Realm - The Creative Legacy of Women in Music -
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Beach: 5 Improvisations for Piano, Op. 148: No. 4 - Her Sonic Realm - The Creative Legacy of Women in Music -
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Boulanger, L: Cortège - Her Sonic Realm - The Creative Legacy of Women in Music -
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Crawford-Seeger: 5 Songs: No. 2, White Moon - Her Sonic Realm - The Creative Legacy of Women in Music -
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Monk: Railroad - Her Sonic Realm - The Creative Legacy of Women in Music -
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Schumann: 12 Gedichte aus "Liebesfrühling", Op. 37: No. 4, Liebst du dum Schönheit - Her Sonic Realm - The Creative Legacy of Women in Music -
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Mendelssohn-Hensel: 6 Lieder, Op. 9: No. 6, Die Mainacht (Version for Flute and Piano) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Arrieu: Suite en trio: I. Adagio non tropo - Her Sonic Realm - The Creative Legacy of Women in Music -
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Manziarly: 3 Fables de La Fontaine: No. 1, La cigale et la fourmi - Her Sonic Realm - The Creative Legacy of Women in Music -
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Schumann, C: 12 Gedichte aus "Liebesfrühling", Op. 37: No. 11, Warum willst du andre fragen (Version for Clarinet and Harp) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Jacobs-Bond: 7 Songs as Unpretentious as the Wild Rose: No. 5, I Love You Truly - Her Sonic Realm - The Creative Legacy of Women in Music -
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Bacewicz: 3 Arabskie pieśni: No. 3, Samotność - Her Sonic Realm - The Creative Legacy of Women in Music -
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Caccini, F: Il primo libro delle musiche: No. 29, Chi desia di saper - Her Sonic Realm - The Creative Legacy of Women in Music -
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Anna Amalia of Prussia: Flute Sonata in F Major: III. Allegro ma non troppo - Her Sonic Realm - The Creative Legacy of Women in Music -
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Weir: Illuminare Jerusalem - Her Sonic Realm - The Creative Legacy of Women in Music -
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Holmès: Noël "Trois anges sont venus ce soir" (Instrumental Version) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Chen: Tang Poems: No. 3, Wild Grass - Her Sonic Realm - The Creative Legacy of Women in Music -
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Poldowski: Tango - Her Sonic Realm - The Creative Legacy of Women in Music -
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Bésame mucho (Bolero) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Von Paradis: Sicilienne (Arr. Dushkin for Cello and Piano) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Poston: Jesus Christ the Apple Tree - Her Sonic Realm - The Creative Legacy of Women in Music -
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Schumann, C: 3 Romances, Op. 22: No. 2, Allegretto. Mit zartem Vortrage (Version for Flute and Piano) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Thomas: The Rub of Love - Her Sonic Realm - The Creative Legacy of Women in Music -
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Mendelssohn-Hensel: 3 Mélodies, Op. 5: No. 1 in B Major, Lento appassionato - Her Sonic Realm - The Creative Legacy of Women in Music -
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Strozzi: Ariette a voce sola, Op. 6: No. 16, Amante loquace chi brama in amore - Her Sonic Realm - The Creative Legacy of Women in Music -
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Alarm Of The Soul - Her Sonic Realm - The Creative Legacy of Women in Music -
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Campana: Arie, Op. 1: No. 8, Già rotto lo strale - Her Sonic Realm - The Creative Legacy of Women in Music -
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Ustvolskaya: Grand Duet: I. — - Her Sonic Realm - The Creative Legacy of Women in Music -
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Clarke: Lethe - Her Sonic Realm - The Creative Legacy of Women in Music -
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Jolas: Signets, hommage à Maurice Ravel - Her Sonic Realm - The Creative Legacy of Women in Music -
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Smyth: The Boatswain's Mate: Aria. "What If I Were Young Again?" (Mrs. Waters) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Shemer: 4 Israeli Songs: Of Sting and Honey / Tomorrow / Jerusalem of Gold / Spy Girl (Arr. Isbin for Guitar) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Woodforde-Finden: 4 Indian Love Lyrics: No. 3, Kashmiri Love Song (Arr. Hough for Piano) - Her Sonic Realm - The Creative Legacy of Women in Music -
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Schumann, C: 3 Romances, Op. 11: No. 1 in E-Flat Minor - Her Sonic Realm - The Creative Legacy of Women in Music -
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What Was I Made For? - Her Sonic Realm - The Creative Legacy of Women in Music -
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Monnot: Hymne à l'amour (Orch. Ducros) - Her Sonic Realm - The Creative Legacy of Women in Music -
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De la Guerre: Second livre de pièces de clavecin: Sarabande de la Suite No. 2 en sol / Seconde gigue de la Suite No. 5 en ré - Her Sonic Realm - The Creative Legacy of Women in Music -
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Carreño: Mi Teresita - Her Sonic Realm - The Creative Legacy of Women in Music -
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Mendelssohn-Hensel: String Quartet in E-Flat Major: I. Adagio ma non troppo - Her Sonic Realm - The Creative Legacy of Women in Music -
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Smith: Desert Ecology: V. Cactus-Yucca Scrub - Her Sonic Realm - The Creative Legacy of Women in Music -
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Saariaho: Asteroid 4179 - Toutatis - Her Sonic Realm - The Creative Legacy of Women in Music -
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Wolfe: Passenger Pigeon - Her Sonic Realm - The Creative Legacy of Women in Music -
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Strohl: Great Dramatic Sonata for Cello and Piano "Titus et Bérénice": II. Scherzo. Vivace - Her Sonic Realm - The Creative Legacy of Women in Music -
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Bembo: Produzione armoniche: No. 16, Habbi pietà di me - Her Sonic Realm - The Creative Legacy of Women in Music -
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Beamish: In Dreaming - Her Sonic Realm - The Creative Legacy of Women in Music -
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: I. Marche "Trompette et tambour" - Opening the Doors -
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée" - Opening the Doors -
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: III. Impromptu "La toupie" - Opening the Doors -
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" - Opening the Doors -
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Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: V. Galop "Le bal" - Opening the Doors -
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Britten: Soirées musicales, Op. 9: I. March - Opening the Doors -
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Britten: Soirées musicales, Op. 9: II. Canzonetta - Opening the Doors -
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Britten: Soirées musicales, Op. 9: III. Tirolese - Opening the Doors -
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Britten: Soirées musicales, Op. 9: IV. Bolero - Opening the Doors -
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Britten: Soirées musicales, Op. 9: V. Tarantella - Opening the Doors -
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Sibelius: King Christian II Suite, Op. 27: I. Nocturne - Opening the Doors -
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Sibelius: King Christian II Suite, Op. 27: II. Elegie - Opening the Doors -
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Sibelius: King Christian II Suite, Op. 27: III. Musette - Opening the Doors -
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Sibelius: King Christian II Suite, Op. 27: IV. Serenade - Opening the Doors -
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Sibelius: King Christian II Suite, Op. 27: V. Ballade - Opening the Doors -
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Sibelius: Karelia Overture, Op. 10 - Opening the Doors -
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Ravel: Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant - Opening the Doors -
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Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet - Opening the Doors -
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Ravel: Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes - Opening the Doors -
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Ravel: Ma mère l'Oye, M. 60: IV. Les entretiens de la Belle et de la Bête - Opening the Doors -
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Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique - Opening the Doors -
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Mozart: Don Giovanni, K. 527, Act 1: Sinfonia - Opening the Doors -
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Mozart: Don Giovanni, K. 527, Act 1: Introduzione. "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) - Opening the Doors -
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Madamina, il catalogo è questo" (Leporello) - Opening the Doors -
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Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) - Opening the Doors -
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Or sai chi l'onore" (Donna Anna) - Opening the Doors -
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Mozart: Don Giovanni, K. 527, Act 1: Aria. "Fin ch'han dal vino" (Don Giovanni) - Opening the Doors -
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Mozart: Don Giovanni, K. 527, Act 2: Canzonetta. "Deh, vieni alla finestra" (Don Giovanni) - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: I. Introduction et marche royale du lion - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: II. Poules et coqs - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: III. Hémiones - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: IV. Tortues - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: V. L'éléphant - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: VI. Kangourous - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: VII. Aquarium - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: VIII. Personnages à longues oreilles - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: IX. Le coucou au fond des bois - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: X. Volière - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: XI. Pianistes - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: XII. Fossiles - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: XIII. Le cygne - Opening the Doors -
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Saint-Saëns: Le carnaval des animaux: XIV. Finale - Opening the Doors -
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Lehár: The Merry Widow, Act 1: "I'm off to Chez Maxime" (Danilo) - Opening the Doors -
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Lehár: The Merry Widow, Act 1: Finale. "Ladies' Choice" - "Young Lovers All, Awake!" (Hanna, Danilo, Saint-Brioche, Cascada, Valencienne, Camille, Chorus) - Opening the Doors -
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Lehár: The Merry Widow, Act 2: Polonaise - Vilja Song. "There Once Live a Vilja, a Fair Mountain Sprite" (Hanna, Chorus) - Opening the Doors -
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Lehár: The Merry Widow, Act 2: Duet. "Jogging in a One-Horse Gig" (Hanna, Danilo) - Opening the Doors -
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Lehár: The Merry Widow, Act 3: Cake-Walk - Opening the Doors -
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Lehár: The Merry Widow, Act 3: Ensemble. "The Grisettes of Paris Greet You" (Valencienne, Chorus, Danilo, Zeta, Bogdanowitsch, Kromow, Pritschitsch) - Opening the Doors -
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Lehár: The Merry Widow, Act 3: Duet. "Love Unspoken" (Hanna, Danilo) - Opening the Doors -
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Smyth: The Wreckers: Overture - Opening the Doors -
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Der Wald: Prologue (Choir) - Smyth: Der Wald -
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Der Wald: Transformation - Scene 1: Schön Röschen (Peter, Röschen, Choir) - Smyth: Der Wald -
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Der Wald, Scene 2: Erschreckt nicht (Choir, A Pedlar) - Smyth: Der Wald -
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Der Wald, Scene 2: Halt! Gebt her das Tuch! (A Youth, Peter, Röschen, Choir) - Smyth: Der Wald -
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Der Wald, Scene 2: Dance (Choir) - Smyth: Der Wald -
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Der Wald, Scene 2: Wess' Horn ertönt (A Pedlar, Choir) - Smyth: Der Wald -
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Der Wald, Scene 3: Zum Dorfe geh ich heute nicht (Peter, Röschen, A Pedlar, Choir) - Smyth: Der Wald -
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Der Wald, Scene 3: Sancta Maria (Röschen) - Smyth: Der Wald -
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Der Wald, Scene 4: Unheimlich tönet’s im Wald (A Pedlar, Röschen, Heinrich) - Smyth: Der Wald -
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Der Wald, Scene 4: Heinrich's Song - Smyth: Der Wald -
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Der Wald, Scene 4: Heinrich, du Starker, du Guter! (Röschen, Heinrich) - Smyth: Der Wald -
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Der Wald, Scene 4: O glaub mir (Röschen) - Smyth: Der Wald -
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Der Wald, Scene 4: Du ahnst Gefahr (Heinrich, Röschen) - Smyth: Der Wald -
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Der Wald, Scene 4: O heiliger Wald (Röschen, Heinrich, Choir) - Smyth: Der Wald -
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Der Wald, Scene 5: Nun Freund, was erschrickst du? (Iolanthe, Heinrich) - Smyth: Der Wald -
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Der Wald, Scene 5: Wie schön ist er (Iolanthe) - Smyth: Der Wald -
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Der Wald, Scene 5: Ich fühl mich gestärkt (Iolanthe, Heinrich) - Smyth: Der Wald -
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Der Wald, Scene 5: So sprichst du (Iolanthe) - Smyth: Der Wald -
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Der Wald, Scene 5: Ich beug mich tief vor euch (Heinrich, Iolanthe) - Smyth: Der Wald -
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Der Wald, Scene 6: Was folgst du mir? (Iolanthe, Rudolf, A Pedlar, Choir) - Smyth: Der Wald -
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Der Wald, Scene 7: Kommt mit uns! (Rudolf, A Pedlar, Hunter, Choir) - Smyth: Der Wald -
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Der Wald, Scene 8: Den Beutel nimm und geh! (Iolanthe, Rudolf) - Smyth: Der Wald -
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Der Wald, Scene 9: Das kommt mir zu recht (Iolanthe, Röschen) - Smyth: Der Wald -
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Der Wald, Scene 9: Sträub dich nicht (Röschen, Heinrich) - Smyth: Der Wald -
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Der Wald, Scene 9: Ich harre dein! (Iolanthe, Heinrich, Röschen) - Smyth: Der Wald -
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Der Wald, Scene 9: Gesiegt hat die Liebe (Röschen) - Smyth: Der Wald -
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Der Wald: Epilogue (Choir) - Smyth: Der Wald -
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The Prison: No. 1, Close on Freedom. The Prisoner Communes with His Soul - Smyth: The Prison -
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The Prison: No. 2, Voices Sing of Immortality - Smyth: The Prison -
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The Prison: No. 3, The Prisoner Askes the Secret of Emancipation - Smyth: The Prison -
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The Prison: No. 4, His Soul Replies - Smyth: The Prison -
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The Prison: No. 5, He Asks In What Shape Emancipation Will Come - Smyth: The Prison -
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The Prison: No. 6, The Voices Reply - Smyth: The Prison -
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The Prison: No. 7, Orchestral Interlude. The First Glimmer of Dawn - Smyth: The Prison -
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The Prison: No. 8, The Prisoner Understands His Own Immortality - Smyth: The Prison -
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The Prison: No. 9, The Deliverance. The Prisoner Awakes - Smyth: The Prison -
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The Prison: No. 10, His Soul Tells Him the End of the Struggle Is At Hand - Smyth: The Prison -
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The Prison: No. 11, He Hears His Guests Moving to Depart - Smyth: The Prison -
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The Prison: No. 12, Pastoral. Sunset Calm - Smyth: The Prison -
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The Prison: No. 13, He Disbands His Ego - Smyth: The Prison -
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The Prison: No. 14, Voices Sing the Indestructibility of Human Passions - Smyth: The Prison -
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The Prison: No. 15, Death Calls Him. Gloring, He Obeys the Summons - Smyth: The Prison -
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The Prison: No. 16, His Farewell - His Triumph - His Peace - Smyth: The Prison -
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