Natalya Pasichnyk

Rethinking the Well-Tempered Clavier - 2024-01-19T00:00:00.000000Z

• Prelude & Fugue in C-Sharp Minor, BWV 849: I. Prelude - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Essence: Nun komm der Heiden Heiland (After J.S. Bach's Prelude in C-Sharp Minor, BWV 849) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Prelude & Fugue in C-Sharp Minor, BWV 849: II. Fugue - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Essence: Nun komm der Heiden Heiland (After J.S. Bach's Fugue in C-Sharp Minor, BWV 849) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Du meine Seele, singe (After J.S. Bach's Prelude in C Major, BWV 846) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Allein Gott in der Höh' sei Ehr' (After J.S. Bach's Fugue in C Major, BWV 846) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Jauchzet, frohlocket! (After J.S. Bach's Prelude in A-Flat Major, BWV 862) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Wie schön leuchtet der Morgenstern (After J.S. Bach's Fugue in A-Flat Major, BWV 862) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Gloria in excelsis Deo (After J.S. Bach's Prelude in B-Flat Major, BWV 866) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Ehre sei dir, Gott, gesungen (After J.S. Bach's Fugue in B-Flat Major, BWV 866) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: In dulci jubilo (After J.S. Bach's Prelude in C-Sharp Major, BWV 848) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Mein Jesus will es tun (After J.S. Bach's Fugue in C-Sharp Major, BWV 848) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Prelude (After J.S. Bach's Prelude in A Major, BWV 864) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Fugue (After J.S. Bach's Fugue in A Major, BWV 864) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Schlafe mein Liebster (After J.S. Bach's Prelude in E Major, BWV 854) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Annunciation and Birth: Du Friedefürst, Herr Jesu Christ (After J.S. Bach's Fugue in E Major, BWV 854) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Prelude (After J.S. Bach's Prelude in D Minor, BWV 851) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Befiehl du deine Wege (After J.S. Bach's Fugue in D Minor, BWV 851) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Er kennt die rechten Freudenstunde (After J.S. Bach's Prelude in A Minor, BWV 865) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Er kennt die rechten Freudenstunde (After J.S. Bach's Fugue in A Minor, BWV 865) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Was Gott tut, das ist wohlgetan (After J.S. Bach's Prelude in D Major, BWV 850) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Was Gott tut, das ist wohlgetan (After J.S. Bach's Fugue in D Major, BWV 850) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Ach wie flüchtig, ach wie nichtig (After J.S. Bach's Prelude in F-Sharp Minor, BWV 859) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Ach wie flüchtig, ach wie nichtig (After J.S. Bach's Fugue in F-Sharp Minor, BWV 859) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Dies irae (After J.S. Bach's Prelude in C Minor, BWV 847) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Wach auf, wach auf, s'ist hohe Zeit (After J.S. Bach's Fugue in C Minor, BWV 847) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Auf meinen lieben Gott (After J.S. Bach's Prelude in F Minor, BWV 857) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Kyrie eleison (After J.S. Bach's Fugue in F Minor, BWV 857) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Herr Jesu Christ, du höchstes Gut (After J.S. Bach's Prelude in G-Sharp Minor, BWV 863) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Teaching: Herr Jesu Christ, du höchstes Gut (After J.S. Bach's Fugue in G-Sharp Minor, BWV 863) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Time Is Coming: Lobet den Herren (After J.S. Bach's Prelude in E-Flat Major, BWV 852) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Time Is Coming: Heilig, Heilig, Heilig bist du, Herr Gott Zebaoth (After J.S. Bach's Fugue in E-Flat Major, BWV 852) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Time Is Coming: Prelude (After J.S. Bach's Prelude in E Minor, BWV 855) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• The Time Is Coming: Fugue (After J.S. Bach's Fugue in E Minor, BWV 855) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Passion: Aus liebe will mein Heiland sterben (After J.S. Bach's Prelude in E-Flat Minor, BWV 853) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Passion: Aus tiefer Not schrei ich zu dir (After J.S. Bach's Fugue in E-Flat Minor, BWV 853) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Passion: O, Haupt voll Blut und Wunden (After J.S. Bach's Prelude in B Minor, BWV 869) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Passion: Es ist vollbracht (After J.S. Bach's Fugue in B Minor, BWV 869) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Passion: Christ lag in Todesbanden (After J.S. Bach's Prelude in G Minor, BWV 861) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Passion: Es ist der alte Bund (After J.S. Bach's Fugue in G Minor, BWV 861) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Resurrection and Ascension: Erstanden ist der heilig' Christ (After J.S. Bach's Prelude in G Major, BWV 860) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Resurrection and Ascension: Auf Christi Himmelfahrt allein (After J.S. Bach's Fugue in G Major, BWV 860) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Pentecost: O ewiges Feuer, O Ursprung der Liebe (After J.S. Bach's Prelude in F Major, BWV 856) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Pentecost: Komm, Gott Schöpfer, Heiliger Geist (After J.S. Bach's Fugue in F Major, BWV 856) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Reflection on Death: Liebster Gott, wenn werd ich sterben (After J.S. Bach's Prelude in F-Sharp Major, BWV 858) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Reflection on Death: Alle menschen müßen sterben (After J.S. Bach's Fugue in F-Sharp Major, BWV 858) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Reflection on Death: Die Seele ruht (After J.S. Bach's Prelude in B-Flat Minor, BWV 867) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Reflection on Death: Herr, wie du willt, so schicks mit mir (After J.S. Bach's Fugue in B-Flat Minor, BWV 867) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Reflection on Death: Vor deinen thron tret' ich hiermit (After J.S. Bach's Prelude in B Major, BWV 868) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk
• Reflection on Death: Ein feste Burg ist unser Gott (After J.S. Bach's Fugue in B Major, BWV 868) - Rethinking the Well-Tempered Clavier - Natalya Pasichnyk

Consolation: Forgotten Treasures of the Ukranian Soul - 2017-01-06T00:00:00.000000Z

• Dumka-Shumka, Op. 18 - Consolation: Forgotten Treasures of the Ukranian Soul - Natalya Pasichnyk
• Carpathian Rhapsody - Consolation: Forgotten Treasures of the Ukranian Soul - Natalya Pasichnyk

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