Gustav Mahler
Gustav Mahler (German: [ˈɡʊstaf ˈmaːlɐ] ; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Mahler's œuvre is relatively limited; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are generally designed for large orchestral forces, symphonic choruses and operatic soloists. These works were frequently controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Second Symphony, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Dmitri Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Society was established in 1955 to honour the composer's life and achievements.
Grande Dame
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Offenbach: La Grande-duchesse de Gérolstein, Act 1: Air et chœur. "Ah ! Que j'aime les militaires" (Duchesse, Fritz, Puck, Boum, Chœur) - Grande Dame -
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Offenbach: La Grande-duchesse de Gérolstein, Act 1: Final. "Voici le sabre de mon père" (Chœur, Duchesse, Boum, Fritz, Wanda, Puck Népomuc, Paul) - Grande Dame -
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Offenbach: La Grande-duchesse de Gérolstein, Act 2: Duetto. "Dites lui qu'on l'a remarqué" (Duchesse, Fritz) - Grande Dame -
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 7, Aria. "Bid the Virtues" - Grande Dame -
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Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 9, Duet and Chorus. "See Nature Rejoicing" - Grande Dame -
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Vaughan Williams: Symphony No. 1 "A Sea Symphony": IV. (e) The Explorers. "Greater Than Stars or Suns" - Grande Dame -
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Vaughan Williams: Symphony No. 1 "A Sea Symphony": IV. (f) The Explorers. "Sail Forth" - Grande Dame -
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Vaughan Williams: Symphony No. 1 "A Sea Symphony": IV. (g) The Explorers. "O My Brave Soul" - Grande Dame -
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Charpentier: Magnificat, H. 74: Quia fecit mihi magna - Grande Dame -
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Charpentier: Magnificat, H. 74: Suscepit Israel - Grande Dame -
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Ravel: Noël des jouets, M. 47 - Grande Dame -
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Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) - Grande Dame -
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Mozart: Le nozze di Figaro, K. 492, Act 2: Terzetto. "Susanna, or via, sortite" (Conte, Contessa, Susanna) - Grande Dame -
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Mozart: Le nozze di Figaro, K. 492, Act 3: Aria. "Dove sono i bei momenti" (Contessa) - Grande Dame -
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Mozart: Le nozze di Figaro, K. 492, Act 3: "Sull'aria... Che soave zeffiretto" (Contessa, Susanna) - Grande Dame -
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Beethoven: 12 Irish Songs, WoO154: No. 1, The Elfin Fairies - Grande Dame -
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Beethoven: 12 Irish Songs, WoO154: No. 9, Oh! Would I Were But That Sweet Linnet - Grande Dame -
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Lehár: The Merry Widow, Act 1: Entrance Song. "Bitte, meine Herr'n" (Hanna, Cascada, Saint-Brioche, Chorus) [Live at Royal Festival Hall, 1993] - Grande Dame -
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Lehár: The Merry Widow, Act 2: Introduction and Dance. "Ich bitte, hier jetzt zu verweilen" - Vilja Song. "Es lebt eine Vilja" (Hanna, Chorus) [Live at Royal Festival Hall, 1993] - Grande Dame -
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Lehár: The Merry Widow, Act 2: The Stupid Rider Song. "Heia, Mädel, aufgeschaut" (Hanna, Danilo) [Live at Royal Festival Hall, 1993] - Grande Dame -
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Lehár: The Merry Widow, Act 3: Duet. "Lippen schweigen" (Hanna, Danilo) [Live at Royal Festival Hall, 1993] - Grande Dame -
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Ravel: 3 Poèmes de Stéphane Mallarmé, M. 64: No. 1, Soupir - Grande Dame -
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Ravel: 3 Poèmes de Stéphane Mallarmé, M. 64: No. 2, Placet futile - Grande Dame -
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Ravel: 3 Poèmes de Stéphane Mallarmé, M. 64: No. 3, Surgi de la croupe et du bond - Grande Dame -
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Schumann: Liederalbum für die Jugend, Op. 79: No. 19, Frühlingslied - Grande Dame -
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Brahms: 4 Duets, Op. 61: No. 1, Die Schwestern - Grande Dame -
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Mendelssohn: 6 Gesänge, Op. 19a: No. 4, Neue Liebe, MWV K70 - Grande Dame -
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Delage: 4 Poèmes hindous: No. 1, Madras - Grande Dame -
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Delage: 4 Poèmes hindous: No. 2, Lahore - Grande Dame -
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Delage: 4 Poèmes hindous: No. 3, Bénarès. Naissance de Bouddha - Grande Dame -
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Delage: 4 Poèmes hindous: No. 4, Jaipur. Stance de Bhartrihari - Grande Dame -
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Britten: Purcell Realizations: 6 Duets from Orpheus Britannicus: No. 1, Sound the Trumpet - Grande Dame -
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Britten: Purcell Realizations: 7 Songs from Orpheus Britannicus: No. 1, Fairest Isle - Grande Dame -
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Charpentier, G: Louise, Act 3: "Depuis le jour où je me suis donnée" (Louise, Julien) - Grande Dame -
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Charpentier, G: Louise, Act 3: "Louise est heureuse ?" (Louise, Julien) - Grande Dame -
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Charpentier, G: Louise, Act 3: "Tout être a le droit d'être libre" (Louise, Julien) - Grande Dame -
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Charpentier, G: Louise, Act 3: "Julien !" (Louise, Julien, Chœur) - Grande Dame -
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Charpentier, G: Louise, Act 3: "Ah ! Prends-moi vite" (Louise, Julien) - Grande Dame -
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Delibes: Les trois oiseaux - Grande Dame -
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Massenet: Trois mélodies, deux duos et un trio, Op. 2: No. 5, Joie ! - Grande Dame -
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Paladilhe: Au bord de l'eau - Grande Dame -
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Aubert: Cache-cache - Grande Dame -
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Mozart / Compl. Beyer: Requiem in D Minor, K. 626: I. Introitus - Grande Dame -
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Mozart / Compl. Beyer: Requiem in D Minor, K. 626: VI. Recordare - Grande Dame -
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Messager: L'amour masqué, Act 1: "J'ai deux amants" (Elle) - Grande Dame -
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Straus: Les trois valses, Act 2: "Je t'aime quand même" (Yvette) - Grande Dame -
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Offenbach: La Périchole, Act 1: "Tu n'es pas riche, tu n'es pas beau" (La Périchole) - Grande Dame -
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Handel: Samson, HWV 57, Act 3: Aria. "Let the Bright Seraphim" (Israelite Woman) - Grande Dame -
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Balfe: Trust her Not - Grande Dame -
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Sullivan: Coming Home - Grande Dame -
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Symphony No. 3 in D Minor, Part I: Ia. Kräftig. Entschieden - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IVa. "O Mensch". Sehr langsam. Misterioso - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part I: Ib. Immer das gleiche Tempo - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IVb. Wie zu Anfang - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part I: Ic. Langsam. Schwer - Tempo I - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: V. "Es sungen drei Engel". Lustig im Tempo und keck im Ausdruck - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part I: Id. Zeit lassen - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: VIa. Langsam. Ruhevoll. Empfunden - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part I: Ie. Immer dasselbe Tempo (Marsch). Nicht eilen - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: VIb. Noch etwas bewegter - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part I: If. Tempo primo. Wie zu Anfang - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: VIc. Tempo I. Ruhevoll! Wieder Viertel taktieren - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part I: Ig. Tempo I - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: VId. A tempo - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IIa. Tempo di Menuetto. Sehr mässig - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: VIe. Tempo I - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IIb. L'istesso tempo - A tempo - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: VIf. Langsam. Tempo I - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IIc. Sempre l'istesso tempo. Nicht schleppen - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IId. A tempo - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IIIa. Comodo. Scherzando. Ohne Hast - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IIIb. Wieder sehr gemächlich, wie zu Anfang - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IIIc. Etwas zurückhaltend - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IIId. Tempo I. Mit geheimnisvoller Hast! - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 3 in D Minor, Part II: IIIe. Wieder lebhaft und Schneller als zu Anfang - Live - Mahler: Symphony No. 3 (Live) -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part One: I. Veni, creator spiritus - Gustav Mahler: Symphonies 1-9 -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part One: II. Infirma nostri corporis - Gustav Mahler: Symphonies 1-9 -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part Two: II. Waldung, sie schwankt heran - Gustav Mahler: Symphonies 1-9 -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part One: III. Accende lumen sensibus - Gustav Mahler: Symphonies 1-9 -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part One: IV. Veni, creator spiritus (2) - Gustav Mahler: Symphonies 1-9 -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part One: V. Gloria Patri Domino - Gustav Mahler: Symphonies 1-9 -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part Two: VI. Uns bleibt ein Erdenrest - Gustav Mahler: Symphonies 1-9 -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part Two: VII. Höchste Herrscherin der Welt! - Gustav Mahler: Symphonies 1-9 -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part Two: XI. Blicket auf zum Retterblick - Gustav Mahler: Symphonies 1-9 -
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Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part Two: XII. Alles Vergängliche ist nur ein Gleichnis - Gustav Mahler: Symphonies 1-9 -
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Brahms: 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. Mørk for Piano & Cello) - "Berceuse au clair de lune" - Sleep Well -
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Chopin: Berceuse in D-Flat Major, Op. 57 - "Berceuse au clair de lune" - Sleep Well -
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Grieg: Lyric Pieces, Book 2, Op. 38: No. 1, Berceuse - "Berceuse au clair de lune" - Sleep Well -
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Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune - "Berceuse au clair de lune" - Sleep Well -
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Schumann: Kinderszenen, Op. 15: No. 7, Träumerei - "Berceuse au clair de lune" - Sleep Well -
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Vivaldi: Flute Concerto in G Minor, Op. 10 No. 2, RV 439 "La notte": III. Largo - "Berceuse au clair de lune" - Sleep Well -
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Ravel: Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant - "Berceuse au clair de lune" - Sleep Well -
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Bach, JS: Goldberg Variations, BWV 988: Aria da capo - "Berceuse au clair de lune" - Sleep Well -
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Tchaikovsky: 6 Romances, Op. 16: No. 1, Lullaby (Piano Version) - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Chopin: Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Rachmaninov: 12 Romances, Op. 21: No. 5, Lilacs (Version for Solo Piano) - "Berceuse au clair de lune" - Sleep Well -
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Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (Excerpt) - "Berceuse au clair de lune" - Sleep Well -
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Grieg: Lyric Pieces, Book 5, Op. 54: No. 4, Notturno - "Berceuse au clair de lune" - Sleep Well -
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Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve (Version for Cello and Piano) - "Berceuse au clair de lune" - Sleep Well -
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Falla: 7 Canciones populares españolas: No. 5, Nana (Arr. Llobet & Pujol for Cello and Guitar) - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Bonis: Miocheries, Op. 126: No. 13, La toute petite s'endort - "Berceuse au clair de lune" - Sleep Well -
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Le Flem: Le chant des genêts: No. 4, Pour bercer - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Pärt: Spiegel im Spiegel - "Berceuse au clair de lune" - Sleep Well -
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Tchaikovsky: The Sleeping Beauty, Op. 66, Act 3 "The Wedding": No. 24, Pas de caractère. Puss-in-Boots and the White Cat - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée" - "Berceuse au clair de lune" - Sleep Well -
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Fauré: Berceuse, Op. 16 - "Berceuse au clair de lune" - Sleep Well -
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Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Vivaldi: Flute Concerto in G Minor, Op. 10 No. 2, RV 439 "La notte": I. Largo - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Saint-Saëns: 2 Chœurs, Op. 68: No. 1, Calme des nuits - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Orff & Keetman: Orff-Schulwerk: Weihnachtsgeschichte: XIII. Dormi Jesu - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Schubert: Wiegenlied, Op. 98 No. 2, D. 498 - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Satie: Enfantillages pittoresques: No. 2, Berceuse - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Lyadov: 8 Russian Folksongs, Op. 58: No. 6, Cradle Song - "Berceuse au clair de lune" - Sleep Well -
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Schoenberg: Verklärte Nacht, Op. 4: I. Sehr langsam - "Berceuse au clair de lune" - Sleep Well -
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Cavalli: Ercole amante, Act 2, Scene 6: "Dormi, dormi o Sonno" (Coro) - "Berceuse au clair de lune" - Sleep Well -
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Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 7, Nocturne - "Berceuse au clair de lune" - Sleep Well -
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Fauré: Dolly, Op. 56: I. Berceuse - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Chopin: Nocturne No. 20 in C-Sharp Minor, Op. Posth - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Puccini: E l'uccellino (Instrumental Version) - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Handel: Nisi Dominus, HWV 238: III. Cum dederit dilectis suis somnum - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Telemann: Ouverture-Suite for 3 Oboes in C Major, TWV 55:C6: V. Sommeille - "Berceuse au clair de lune" - Sleep Well -
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Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Alain: Berceuse sur deux notes qui cornent - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Tchaikovsky: Children's Album, Op. 39: No. 21, Sweet Dreams - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Bach, JS: Keyboard Concerto No. 3 in D Minor, BWV 974: II. Adagio (After Marcello's Oboe Concerto, S. Z799) - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Vierne: Messe solennelle, Op. 16: Agnus Dei - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Von Paradis: Sicilienne (Arr. Dushkin for Cello and Piano) - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Marais: Alcyone, Act 4: Symphonie du sommeil - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Montsalvatge: 5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Vaughan Williams: The Lark Ascending (Excerpt) - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Strauss: 4 Lieder, Op. 27: No. 4, Morgen! (Arr. Ioudenitch for Voice, Violin & Piano) - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Walton: Façade: VII. Lullaby for Jumbo - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Traditional: Rocking Carol. "Little Jesus Sweetly Sleep" - "Berceuse au clair de lune" - Sleep Well -
Gustav Mahler
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Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Arr. Press for Violin and Piano) - Lost to the World -
Gustav Mahler
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Debussy: La plus que lente, CD 128, L. 121 (Arr. Roques for Violin and Piano) - Lost to the World -
Gustav Mahler
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Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. Casals for Violin and Piano) - Lost to the World -
Gustav Mahler
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Rachmaninov: 12 Romances, Op. 21: No. 7, How Fair This Spot (Version for Violin and Piano) - Lost to the World -
Gustav Mahler
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Debussy: Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin (Arr. Hartmann for Violin and Piano) - Lost to the World -
Gustav Mahler
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Sarde: La chanson d'Hélène (des "Choses de la vie") [Arr. Ducros for Violin and Piano] - Lost to the World -
Gustav Mahler
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Tchaikovsky: 6 Pieces, Op. 19: No. 4, Nocturne (Arr. Lozakovich for Violin and Piano) - Lost to the World -
Gustav Mahler
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Debussy: Petite suite, CD 71, L. 65: I. En bateau (Arr. Choisnel for Violin and Piano) - Lost to the World -
Gustav Mahler
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Weill: Youkali (Version for Violin and Piano) - Lost to the World -
Gustav Mahler
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Kosma: Autumn Leaves (Arr. Borsarello for Violin and Piano) - Lost to the World -
Gustav Mahler
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Handel: Te Deum, HWV 283 "Dettingen": XIV. Prayer. "Vouchsafe O Lord" (Arr. Flesch for Violin and Piano) - Lost to the World -
Gustav Mahler
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Kreisler: Prelude and Allegro in the Style of Pugnani - Lost to the World -
Gustav Mahler
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Mahler: Rückert-Lieder: No. 3, Ich bin der Welt abhanden gekommen (Arr. Lozakovich for Violin and Piano) - Lost to the World -
Gustav Mahler
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