Boston Baroque
Boston Baroque is the oldest permanent period instrument orchestra in North America. It was founded in 1973 by the American harpsichordist and conductor, Martin Pearlman, to present concerts of the Baroque and Classical repertoire on period instruments, drawing on the insights of the historical performance movement.
The Boston Baroque professional chamber chorus was established as an integral part of the ensemble in 1981.
With Pearlman as its music director, the ensemble presented an annual subscription concert series in Greater Boston, Massachusetts; performed on tour in Carnegie Hall, Chicago's Shubert Theatre, Los Angeles's Disney Hall, at the Ravinia and Tanglewood festivals, and toured internationally. Pearlman retired as music director at the end of the 2024-25 season. The French conductor, Marc Minkowski, was appointed the new music director of Boston Baroque in April 2026 and will take over leadership in the 2026-2027 season.
The orchestra, originally named "Banchetto Musicale", was renamed Boston Baroque in 1992, when Telarc Records, in its first commitment to a period-instrument orchestra, signed the ensemble to produce a series of recordings of major Baroque and Classical repertoire for international commercial distribution. In 2012, Boston Baroque became the first American orchestra to record with the highly-regarded UK audiophile label, Linn Records. Boston Baroque’s 26 acclaimed commercial recordings are frequently heard by millions on classical radio stations in North America and Europe, as well as on Boston Baroque Radio, Boston Baroque’s streaming channel. Boston Baroque’s recordings have received six GRAMMY® Award Nominations: its 1992 release of Handel’s Messiah, 1998 release of Monteverdi’s Vespers of 1610, 2000 release of Bach’s Mass in B Minor, 2014 release of Monteverdi’s Il Ritorno d’Ulisse in patria (two nominations), and 2017 release of Biber’s Mystery Sonatas.
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Il ritorno d'Ulisse in patria, SV 325: Prologue - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 1. "Lieto cammino" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 1. "O dolor, o martir" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 1. "Di misera regina" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 2. "O gran figlio d'Ulisse" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 3. "E quai nuovi rumori" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 2. "Duri e penosi" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 3. "Che veggio, ohime, che miro?" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 4. "Forza d'occulto affetto" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 4. Sinfonia (The Sleeping Ulisse Carried on Shore) - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 4. "Eurimaco, la donna e insomma" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 5. "E saggio Eumete" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 5. "Superbo e l'huom" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 5. "Sono l'altre regine" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 6. "Fiamma e l'ira, o gran Dea" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 6. "In questo basso mondo" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 7. "Apportator d'alte novelle" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 7. "Gran Giove" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 7. "Dormo ancora" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 8. "CompagnI. udiste" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 8. "Ericlea, che vuoi far" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 8. "Cara e lieta gioventu" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 9. "Perir non puo" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 9. "Ogni nostra ragion" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 9. "Tu d'Aretusa al fonte" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 10. "Io vidI. o pellegrin" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act III: Scene 10. "O delle mie fatiche" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 10. "Donata un giorno" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 11. "Del mio lungo viaggio" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 11. "Oh come mal si salva" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 12. "Sempre villano Eumete" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 12. "Pastor d'armenti puo" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 12. "Tu vincitor" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act I: Scene 13. "Ulisse generoso!" - Monteverdi: Il ritorno d'Ulisse in patria -
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Il ritorno d'Ulisse in patria, SV 325, Act II: Scene 12. "Ecco l'arco d'Ulisse" - Monteverdi: Il ritorno d'Ulisse in patria -
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Die Schöpfung, Pt. 1: Prelude. "Die Vorstellung des Chaos" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 30. Recitativ "Aus Rosenwolken bricht" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 1, Recitativ mit Chor "Im Anfange schuf Gott Himmel und Erde" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 31. Duett mit Chor "Von deiner Gut', o Herr und Gott" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 2, Arie mit Chor "Nun schwanden vor dem heiligen Strahle" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 32. Recitativ "Nun ist die erste Pflicht erfüllt" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 3, Recitativ "Und Gott machte das Firmament" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 33. Duett "Holde Gattin, dir zur Seite" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 4, Solo mit Chor "Mit Staunen sieht das Wunderwerk" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 34. Recitativ "O glücklich Paar, und glücklich immerfort" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: Es sammle sich das Wasser" - Haydn: The Creation -
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Die Schöpfung, Pt. 3: No. 35. Chor "Singt dem Herrn alle Stimmen" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 6, Arie "Rollend in schäumenden Wellen" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: Es bringe die Erde Gras hervor" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 8, Arie "Nun beut die Flur das frische Grun" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 9, Recitativ "Und die himmlischen Heerscharen" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 10, Chor "Stimmt an die Saiten" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: Es sei'n Lichter an der Feste" - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 12, Recitativ "In vollem Glanze steiget jetzt " - Haydn: The Creation -
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Die Schöpfung, Pt. 1: No. 13, Terzett mit Chor "Und die Engel rührten ihr' unsterblichen Harfen" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: Es bringe das Wasser" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 15, Arie "Auf starkem Fittiche schwinget sich" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 16, Recitativ "Und Gott schuf grosse Walfische" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 17, Recitativ "Und Gott schuf grosse Walfische" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 18, Terzett mit Chor "In holder Anmut stehn, mit jungem Grun" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: Es bringe die Erde hervor" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 20, Recitativ "Gleich öffnet sich der Erde Schoss" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 21, Arie "Nun scheint in vollem Glanze der Himmel" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 22, Recitativ "Und Gott schuf den Menshen" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 23, Arie "Mit Würd' und Hoheit angetan" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 24, Recitativ "Und Gott sah jedes Ding" - Haydn: The Creation -
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Die Schöpfung, Pt. 2: No. 25, Terzett mit Chor "Zu dir, o Herr, blickt alles auf" - Haydn: The Creation -
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Idomeneo, K. 366: Overture - Mozart: Arias for Male Soprano -
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Idomeneo, K. 366: Recitiative & Aria. Ah qual gelido orror... Il padre adorato - Mozart: Arias for Male Soprano -
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Lucio Silla, K. 135: Recitative & Aria. Dunque sperar poss'io... Il tenero momento - Mozart: Arias for Male Soprano -
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Lucio Silla, K. 135: Aria. Ah se a morir mi chiama - Mozart: Arias for Male Soprano -
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La clemenza di Tito, K. 621: Overture - Mozart: Arias for Male Soprano -
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La clemenza di Tito, K. 621: Aria. Deh per questo istante solo - Mozart: Arias for Male Soprano -
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La clemenza di Tito, K. 621: Aria. Parto, ma tu ben mio - Mozart: Arias for Male Soprano -
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Exsultate, Jubilate, K. 165: I. Allegro - Mozart: Arias for Male Soprano -
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Exsultate, Jubilate, K. 165: II. Recitative - Mozart: Arias for Male Soprano -
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Exsultate, Jubilate, K. 165: III. Andante - Mozart: Arias for Male Soprano -
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Exsultate, Jubilate, K. 165: IV. Allegro. Alleluja - Mozart: Arias for Male Soprano -
Boston Baroque
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