Eduardo Mata
Eduardo Mata (5 September 1942 – 4 January 1995) was a Mexican conductor and composer.
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Variations on an Original Theme, Op. 36 "Enigma": Theme - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. I, C.A.E. - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. II, H.D.S-P. - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. III, R.B.T. - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. IV, W.M.B - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. V, R.P.A. - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. VI, Ysobel - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. VII, Troyte - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. VIII, W.N. - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. IX, Nimrod - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. X, Dorabella - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. XI, G.R.S. - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. XII, B.G.N. - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. XIII, *** - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Variations on an Original Theme, Op. 36 "Enigma": Var. XIV, E.D.U. - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Serenade for String Orchestra, Op. 20: I. Allegro piacevole - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Serenade for String Orchestra, Op. 20: II. Larghetto - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Serenade for String Orchestra, Op. 20: III. Allegretto - Elgar: Variations on an Original Theme, Op. 36 "Enigma" & Serenade for String Orchestra, Op. 20 -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: Invocation to the Nymphms - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: Entrance of Daphnis et Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: Dance of the Young Girls Around Daphnis - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: Dorcon's Advance to Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: Daphnis Reasserts His Love for Chloe - The Dorcon-Daphnis Dance - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: Dorcon's Grotesque Dance - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: The Gracious Dance of Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: The Triumph of Daphnis and the Ecstatic Uninon with Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: Entrance of the Temptress Lyceion and the Dance of Veils - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: The Invasion of the Pirates and Dophnis' Unsuccessful Efforts to Save Chloe - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau I: Invocation to Pan by the Nymphs and the Prayer of Daphnis - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau II: Interlude - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau II: The Orgiastic Dance of the Pirates - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau II: Bryaxis orders Chloe to Be Brought Forward to Dance - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau II: Chloe's Dance of Supplication - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau II: Creatures of Pan Appear and Frighten the Pirates Who Fell in Terror, Leaving Chloe Alone with a Shining Crown - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau III: Sunrise - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau III: Daphnis and Chloe Are Reunited - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau III: Lammon Tells How Pan Saved Chloe in Memory of His Love for the Nymph, Syrinx - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau III: Pan Fashions a Flute Some Reeds, on Which He Declares His Love for Syrinx - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau III: Abandoning Their Roles, the Lovers Embrace and Kneel at the Alter of the Nymphs - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau III: Girls Dressed as Bacchantes Enter with Tomborines - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Daphnis et Chloe, M. 57, Tableau III: Young Men Invade the Scende, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Mother Goose Suite, M. 60: No. 1, Pavan of the Sleeping Beauty - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Mother Goose Suite, M. 60: No. 2, Hop-o'- My Thumb - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Mother Goose Suite, M. 60: No. 3, Laideronette, Empress of the Pagodas - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Mother Goose Suite, M. 60: No. 5, Beauty and the Beast Converse - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Mother Goose Suite, M. 60: No. 6, Fairy Garden - Ravel: Daphnis et Chloe & Mother Goose Suite -
Eduardo Mata
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Feste romane, P. 157: I. Circenses - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Feste romane, P. 157: II. Il Giubileo - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Feste romane, P. 157: III. L'Ottobrata - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Feste romane, P. 157: IV. La Befana - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Impressioni brasiliane, P. 153: No. 1, Notte Tropicale (Tropical Night) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Impressioni brasiliane, P. 153: No. 2, Butantan (In a snake-garden near Sao Paulo) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Impressioni brasiliane, P. 153: No. 3, Canzone e Danza (Song and Dance) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Pines of Rome, P. 141: I. I pini di Villa Borghese (the Pines of the Villa Borghese) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Pines of Rome, P. 141: II. Pini presso una catacomba (Pines Near a Catacomb) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Pines of Rome, P. 141: III. I pini del Gianicolo (the Pines of the Janiculum) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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Pines of Rome, P. 141: IV. I pini della via Appia (the Pines of the Appian Way) - Respighi, O.: Roman Festivals / Brazilian Impressions / Pines of Rome -
Eduardo Mata
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