Nathan Gunn
Nathan T. Gunn (born November 26, 1970, in South Bend, Indiana) is an American operatic baritone who performs regularly around the world. He is an alumnus of the University of Illinois Urbana-Champaign where he is currently a professor of voice.
He has appeared in many of the world's well-known opera houses, including the Metropolitan Opera in New York City, the San Francisco Opera, Lyric Opera of Chicago, Houston Grand Opera, Seattle Opera, the Dallas Opera, the Opera Company of Philadelphia, the Pittsburgh Opera, The Santa Fe Opera, The Royal Opera in London, the Paris Opéra, the Bavarian State Opera in Munich, Theater an der Wien in Vienna, Opera Theatre of Saint Louis, Teatro Real in Madrid, and the Théâtre Royal de la Monnaie in Brussels. He has also appeared at the Glyndebourne Festival near London, the Ravinia Festival near Chicago, and the Mostly Mozart Festival in New York City. In 2011, Gunn was featured as a guest star in the Mormon Tabernacle Choir's annual Christmas concert before an audience of 80,000 in Salt Lake City. The concert was broadcast on PBS and was released as an album in 2012 entitled Once Upon a Christmas.
In August 2015, Gunn starred in the world premiere of a new opera presented by The Santa Fe Opera. It was Jennifer Higdon's Cold Mountain, based on the award-winning 1997 novel of the same name by Charles Frazier. Gunn's previous Santa Fe performances include a 1998 production of Berlioz’ Béatrice et Bénédict as well as a 1999 production of Richard Strauss’ Ariadne auf Naxos.
While he is noted for his vocal prowess and acting, Gunn has received almost as much fame for his physique, a peculiar feat for an opera singer. He has been dubbed a "barihunk" although as a play on baritone and hunk, he has said he prefers the term "hunkitone." In 2008, he was featured in People magazine's list of "The Sexiest Men Alive."
Gunn was appointed a tenured professor of voice in 2007 at the University of Illinois School of Music, and in 2013 he was named general director of the Lyric Theater @ Illinois. In 2012 the Opera Company of Philadelphia appointed him director of its American Repertoire Council promoting new American works. His wife, Julie Jordan Gunn, who holds a doctorate (A. Mus. D.) in vocal coaching and accompanying from University of Illinois, was also appointed associate professor in collaborative piano at the university.
Ellen West
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Wonderful Town: No. 1, Overture - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 2. Christopher Street - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 3. Ohio - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 4. Conquering New York - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 5. One Hundred Easy Ways to Lose a Man - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 6. What a Waste - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 8. A Little Bit in Love - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 9. Pass the Football - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 10. Conversation Piece - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 11. A Quiet Girl - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 12. Conga! - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town: No. 13: Entr'acte - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act II: No. 14. My Darlin' Eileen - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act II: No. 15. Swing! - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act II: No. 16. Quiet Incidental - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act II: No. 16a. Ohio (Reprise) - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act II: No. 17. It's Love - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act II: No. 18. Ballet at the Village Vortex - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act II: No. 19. Wrong Note Rag - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act II: No. 19a. It's Love (Reprise) - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Wonderful Town, Act I: No. 12. Conga! (Audience Participation Version) - Bonus Track - Bernstein: Wonderful Town (Bonus Track Version) -
Nathan Gunn
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Camille Claudel, Into the Fire: I. Prelude. Rodin - Heggie: HERE/AFTER -
Nathan Gunn
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Friendly Persuasions: I. Wanda Landowska - Heggie: HERE/AFTER -
Nathan Gunn
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Camille Claudel, Into the Fire: II. La Valse - Heggie: HERE/AFTER -
Nathan Gunn
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Friendly Persuasions: II. Pierre Bernac - Heggie: HERE/AFTER -
Nathan Gunn
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Camille Claudel, Into the Fire: III. Shakuntala - Heggie: HERE/AFTER -
Nathan Gunn
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Friendly Persuasions: III. Raymonde Linossier - Heggie: HERE/AFTER -
Nathan Gunn
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Camille Claudel, Into the Fire: IV. La Petite Châtelaine - Heggie: HERE/AFTER -
Nathan Gunn
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Friendly Persuasions: IV. Paul Eluard - Heggie: HERE/AFTER -
Nathan Gunn
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Camille Claudel, Into the Fire: V. The Gossips - Heggie: HERE/AFTER -
Nathan Gunn
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Rise and Fall: I. Water Stone - Heggie: HERE/AFTER -
Nathan Gunn
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Camille Claudel, Into the Fire: VI. L'Age Mûr - Heggie: HERE/AFTER -
Nathan Gunn
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Rise and Fall: II. Incantation Bowl - Heggie: HERE/AFTER -
Nathan Gunn
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Camille Claudel, Into the Fire: Epilogue. Jessie Lipscomb visits Camille Claudel, Montdevergues Asylum - Heggie: HERE/AFTER -
Nathan Gunn
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Rise and Fall: III. Angels' Wings - Heggie: HERE/AFTER -
Nathan Gunn
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Pieces of 9/11, Memories from Houston: I. Prelude. Lauren - Heggie: HERE/AFTER -
Nathan Gunn
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Rise and Fall: IV. The Shaman - Heggie: HERE/AFTER -
Nathan Gunn
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Pieces of 9/11, Memories from Houston: II. Lessons - Heggie: HERE/AFTER -
Nathan Gunn
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A Question of Light: I. The Light of Coincidences - Heggie: HERE/AFTER -
Nathan Gunn
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Pieces of 9/11, Memories from Houston: III. Phone Calls - Heggie: HERE/AFTER -
Nathan Gunn
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A Question of Light: II. Eccentric Flint - Heggie: HERE/AFTER -
Nathan Gunn
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Pieces of 9/11, Memories from Houston: IV. That Moment On - Heggie: HERE/AFTER -
Nathan Gunn
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A Question of Light: III. Yellow Rose in a Vase - Heggie: HERE/AFTER -
Nathan Gunn
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Pieces of 9/11, Memories from Houston: V. Beyond - Heggie: HERE/AFTER -
Nathan Gunn
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A Question of Light: IV. Place de la Concorde - Heggie: HERE/AFTER -
Nathan Gunn
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Pieces of 9/11, Memories from Houston: VI. An Open Book - Heggie: HERE/AFTER -
Nathan Gunn
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A Question of Light: V. El Hombre - Heggie: HERE/AFTER -
Nathan Gunn
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Soliloquy for flute and piano - Heggie: HERE/AFTER -
Nathan Gunn
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A Question of Light: VI. Watch - Heggie: HERE/AFTER -
Nathan Gunn
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Fury of Light: I. Fast - Heggie: HERE/AFTER -
Nathan Gunn
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Fury of Light: II. Elegy - Heggie: HERE/AFTER -
Nathan Gunn
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Fury of Light: III. Meditation - Heggie: HERE/AFTER -
Nathan Gunn
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Fury of Light: IV. Very Fast - Heggie: HERE/AFTER -
Nathan Gunn
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Brief Encounter / Act 1 / Prolog: Andantino amabile - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Entr'acte & Scene 1: Outside the hospital: Entr'acte ... "Five minutes" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 1: The station refreshment room: "Hullo - Hullo - Hullo!" ... "Quite the stranger" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Scene 2: The dining room of the Royal Hotel: "He took me to lunch" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 2: A train compartment: "He was very nice-looking" ... "This pain can't last" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Scene 3: Eden Lock: "We stood on the bridge at Eden Lock" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 3: The Jessons' sitting room: "Seven across" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Scene 4: The station platform: "That's your train" ... "Come with me" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 3: The Jessons' sitting room: "Fred, Fred - dear Fred" ... "Never forget" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Scene 5: The Jessons' sittting-room: "14 down, 6 letters" ... "Without you there's nothing" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Interlude & Scene 4: The station refreshment room: Interlude ... "Please a glass of water" ..."Little bit of coal dust" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Scene 6: The station refreshment room: "Hallo!" "This is the face of the woman I love" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 5: A Milford street and Eden Lock: "It was a Thursday" ... "All my Thursdays were the same" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Scene 6: The station refreshment room: "Promise me, however unhappy your are" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 6: The Kardomah Café: "Good Morning" ... "Are you alone?" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Scene 7: The Jessons' sitting-room: "A woman is sitting in a quiet room" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Interlude & Scene 7: Eden Lock: Interlude ... "We walked together up the river" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Scene 8: The station refreshment room: "Aren't you going to offer me another cup of tea?" ... "Time and tide" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 8: The station refreshment room and platform: "We walked back to the station" ... "This marriage lark" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 2 / Scene 9: The Jessons' sitting-room: "Fred, Fred, oh, Fred" ... "To the end of my days" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 8: The station refreshment room and platform: "Doctors have dreams" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 8: The station refreshment room and platform: "I watched his train" ... "Imagine" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 9: The Jessons' sitting-room: "Is that you Laura?" ... "A warning" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 10: The station refreshment room and platform: "Albert Godby, how dare you?" ... "The liberty" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 10: The station refreshment room and platform: "I sat in the café, waiting" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 10: The station refreshment room and platform: "My dear, my dear, I'm sorry" ... "Next Thursday?" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 11: An old boathouse by the river: "The British have always been nice to mad people" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 11: An old boathouse by the river: "When I was a child" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 12: The Jessons' bedroom: "Good evening, Mrs Jesson" - Previn: Brief Encounter -
Nathan Gunn
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Brief Encounter / Act 1 / Scene 12: The Jessons' bedroom: "This is the face of a woman who lies" - Previn: Brief Encounter -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Prologue: "I Am an Old Man" (Vere) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "I Heard Your Honour!" (Claggart, Squeak, Novice's Friend) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 1: "I Don't Like the Look of the Mist" (Vere, Redburn) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "Pull, My Bantams!" (First Mate, Sailors, Second Mate, Flint, Bosun, Midshipmen, Donald, Novice, Maintop, Squeak) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "Come Along Kid! Come Along!" (Novice's Friend, Novice, Sailors) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 1: "Well, What Is It, Master-at-Arms? " (Vere, Claggart) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "Boat Ahoy" (Maintop, Midshipmen, Flint, Redburn, Bosun, Ratcliffe, Claggart) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "Christ! The Poor Chap" (Billy, Dansker, Red Whiskers, Donald) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 1: "Deck Ahoy! Enemy Sail on Starboard Bow!" (Maintop, Bosun, Flint, Redburn, Ratcliffe, Sailors, Vere) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "First Man Forward! (Claggart, Red Whiskers, Redburn, Flint, Jones) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "What's That? What's Those Whistles?" (Billy, Donald, Claggart, First Mate, Second Mate, Bosun) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 1: "Volunteers! Call for Boarding Volunteers!" (Vere, Redburn, Donald, Red Whiskers, Dansker, Sailors, Billy, Maintop, Ratcliffe) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "Your Name? Billy Budd, Sir" (Claggart, Billy, Redburn, Flint) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "Starry Vere We Call Him" (Donald, Billy, Sailors, Red Whiskers, Dansker, Bosun) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 1: "There You Are Again, Master-at-Arms" (Vere, Claggart, Boy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 1: "Billy Budd, King of the Birds!" (Billy, Sailors, Flint, Redburn, Ratcliffe, Claggart) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 2: "Boy! Yes Sir!" (Vere, Boy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 1: "O This Cursed Mist" (Vere, Redburn, Ratcliffe, Flint) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 2: "Mr Redburn and Mr Flint, Sir!" (Boy, Vere, Redburn, Flint) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 2: "Claggart, John Claggart, Beware!" (Vere, Billy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 2: "Ay, at Spithead the Men May Have Had Their Grievances" (Vere) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 2: "Master-at-Arms and Foretopman" (Vere, Claggart, Billy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 2: "We Are, Sir, Claggart Is an Able One" (Redburn, Vere, Flint, Sailors, Ratcliffe) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 2: "God o' Mercy!" (Vere, Boy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 3: "Blow Her Away, Blow Her to Hilo" (Red Whiskers, Sailors, Billy, Donald, Dansker) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 2: "Gentlemen, William Budd Here Has Killed" (Vere, Redburn, Flint, Ratcliffe) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 3: "Here, Lads! Here! Come Here!" (Donald, Red Whiskers, Sailors, Billy, Dansker) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 2: "William Budd, You Are Accused" (Redburn, Vere, Billy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 3: "Hi! You" (Billy, Dansker, Red Whiskers, Donald, Sailors, Squeak, Claggart, Boy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 2: "Poor Fellow, Who Could Save Him?" (Redburn, Flint, Ratcliffe, Vere) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 3: "Over the Water, over the Ocean" (Sailors, Claggart) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 2: "I Accept Their Verdict" (Vere) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 3: "Come Here, Remember Your Promise" (Claggart, Novice) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 3: "Look! Through the Port Comes the Moonshine Astray!" (Billy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 3: "Billy! Hist! Billy Budd!" (Novice, Billy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 3: "Here! Baby!" (Dansker, Billy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 1, Scene 3: "Dansker, Old Friend, Glad to See You!" (Billy, Dansker) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 3: "And Farewell to Ye, Old Rights o' Man!" (Billy) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 3: Interlude - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 4: "According to the Articles of War" (Redburn, Billy, Flint, Ratcliffe, Sailors) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Act 2, Scene 4: "Down All Hands!" (Redburn, Flint, Ratcliffe, a Sailor) - Britten: Billy Budd -
Nathan Gunn
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Britten: Billy Budd, Op. 50, Epilogue: "We Committed his Body to the Deep" (Vere) - Britten: Billy Budd -
Nathan Gunn
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